POLAND NATIONAL ARMS French Monarchs granted augmentations to Coats of Arms very rarely. They made one notable exception when they had to acknowledge the part played by Joan of Arc in the eventual eviction of the English. In 1429, Charles VII granted to the family of Joan of Arc a simple but very elegant shield displaying a blue field charged with a sword supporting the French crown and two fleur de lis in fess. The Coat of Arms are symbolic of the account by the writer, Holinshed, that Joan of Arc had wielded a sword “with five floure delicees graven on both sides”, and although there is little evidence to suggest Joan of Arc used these Coat of Arms herself,...
THE ARMS OF CHRISTOPHER COLUMBUS The advent of the later medieval period brought with it the exploration of the unknown world by European explorers financed by the monarchies of Europe. These expeditions were in search of new lands with resources to exploit. The European monarchs of this period vied with one another to be first to a new land. They were aided in their quest by professional sailors who were willing to put their lives and the lives of their crew at risk in return for a small percentage of the riches they might present to their sovereigns. All to frequently however these great voyagers received shabby compensation for their efforts. They could, however, receive heraldic recognition. The shield borne...
CHARLES II AT BASCOBEL Rewarding their followers for service to the Crown and State has been the prerogative of rulers since time immemorial. In addition to the award of orders and decorations from medieval times rulers have used the “augmentation” of Coats of Arms to recognize or reward deeds or service by nobles. Augmentations are additions or changes to existing Coats of Arms and they is some way display the gratitude of the donor, usually a monarch. They are added either by “honor” when the grantee has performed deeds of merit, or by “grace” when the sovereign grants part of his or her Coat of Arms to a relative. Frequently the...
Flags were not only used by the nobility in the Middle Ages, the military used flags bearing regimental colors and in the Catholic Church the position of gonfalonier, or standard-bearer, of the Church, was one of the most prestigious offices the pope could bestow. The office of gonfalonier takes its name from another type of flag popular among city states and other nations during the Middle Ages, the gonfalone (image above). Such flags were often massive in size and bore many tails. They were carried hanging down from a cross beam, like the sail of a ship. Prior to battle the gonfalone was blessed by the clergy and it was considered a great disgrace to lose it as some were...
One of the most evocative symbols is that of the flag or standard. Such objects of attention are as old as history itself. Flags have borne heraldic symbols since the advent of heraldry. Heraldic designs appear on the Bayeux Tapestry on the flags and pennants of the Flemish contingent in Duke William’s army. On the opposing side King Harold’s standard-bearer displays the “wyvern” or two-legged dragon of Wessex. The lance pennants of the Normans and Flemish at the Battle of Hastings in 1066 were made of cloth but it would seem that the standard of Wessex was carved in metal or wood. Whatever the materials, both armies at the Battle of Hastings made use of flags of some sort and...
